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LEARNING

Othello // Backchat

A relaxed discussion with members of the cast immediately after the performance
Thu 3 May, following the 5.30pm performance | FREE
LEARNING

The Big I Am // Backchat

A relaxed discussion with members of the cast immediately after the performance
Thu 21 Jun, following the 5.30pm performance | FREE
Around the World in 80 Days // reviews

★★★★
"Rollicking good fun"
The Observer

★★★★★
"A magnificently preposterous romp"
The Independent

★★★★
"Highly entertaining!"
The Times

★★★★
"Terrific!"
The Guardian

★★★★★
"The show is a sheer delight!"
WhatsOnStage

★★★★★
Broadway World

★★★★★
Theatre Bubble

★★★★★
StageTalk Magazine

★★★★★
West End Wilma

★★★★★
The Good Review

★★★★★
The Public Reviews

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Baskerville // reviews

"Baskerville is a madcap sendup of what you might hold dear about that Doyle classic, done up in the style of The 39 Steps"
DC Theatre Scene

"The joy in watching ... is not in solving the crime but in the plethora of wildly imaginative characters you meet along the way. Ken Ludwig has given us a play that is ingeniously funny and will keep you guessing until the curtain call"
Broadway World

"Turns one of Holmes’ most famous mysteries on its head. Instead of a heady whodunit, this production is a fast-paced comedy"
Washington City Paper

"The chase is on and with much joy ... There is also plenty of theatrical inventiveness"
DC Metro Theatre Arts

Me & Robin Hood // reviews

★★★★★
"With so little needed to say so much, there is no doubt that Shon Dale-Jones is one of the best living storytellers in the world today." The Outlier

★★★★
"He has captured, brilliantly, the moment at which the gap between rich and the poor starts to widen in post-war Britain... " The Scotsman

★★★★
"A gifted storyteller with a palpably important story.” Three Weeks

★★★★
"What is most impressive is the delicate writing of the piece that constantly plays with the lines between what is right and wrong" Ed Fringe Review

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PRODUCTIONS

Man to Man // reviews

★★★★★
"This stunning revival is destined for classic status"
The Times

★★★★★
"A tour de force. Pieces of theatre that engage the mind, heart and soul as much as this one does are pretty rare."
WhatsOnStage

★★★★
"The main triumph is Maggie Bain’s. She sculpts her voice and body to become a cast of dozens"
The Guardian

★★★★★ The Arts Desk

★★★★★ The Stage

★★★★★ British Theatre Guide

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