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Credits for the Everyman include: Unsung and Much Ado About Nothing.

Theatre credits include: The Hobbit (Dukes Theatre, Lancaster); Cinderella (Riverfront Theatre, Newport); Brief Encounter, A Midsummer Night's Dream, Cinderella, Neville's Island, Dead Funny, Aladdin and One For the Road (Torch Theatre); Hamlet (Clwyd Theatre, Cymru)...
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Credits for the Playhouse include: Ma Rainey's Black Bottom.

Theatre credits include: Breakfast At Tiffany's (Old Vic); The Bakkhai (Almeida); Matilda (RSC); Play Mas (The Orange Tree); White Christmas (West Yorkshire Playhouse); Guys and Dolls (Chichester Festival); Smokey Joe's Cafe (Landor Theatre); A Christmas Carol (Birmingham Rep)...
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Theatre credits include: Romeo and Juliet, Anthony and Cleopatra, Much Ado About Nothing (Shakespeare’s Globe, LA Philharmonic and BBC Symphony Orchestras); The Winter’s Tale, Pericles, Romeo and Juliet, Julius Caesar and Doctor Scroggy’s War (Shakespeare’s Globe)...
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After finishing his GCSEs at Calday Grange Grammar School, Elliott worked as a freelance Speech and Drama teacher in the Wirral and Chester. He joined Young Everyman Playhouse as a YEP Actor in 2015.

Theatre credits include: The Wonderful World of Dissocia (YEP); Othello and The Musketeers (OTG) and The Tempest (NYT). Last year, he helped develop and perform in 17 as part of Liverpool’s International Physical Theatre Fest... Read more

Keddy was a member of EYT and trained at Rose Bruford College of Speech and Drama and with Ken Campbell's School of Night.

Credits for the Everyman include: Cruel Sea.

Theatre credits include: Scouse of The Rising Sun, Father ‘o Flaherty Save our Souls, Mam I'm 'Ere, Stags n Hens and Slappers n Slapheads (Liverpool’s Royal Court); Princess and the Pea (Unity Theatre/ATTC)...
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George graduated from RADA in July 2016.

Theatre credits while training include: Pains Of Youth, Chez Feydeau, No One Sees The Video, All’s Well That Ends Well, The Basset Table, Coriolanus, Electra, Philistines, The Accrington Pals...
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Emily trained at The Oxford School of Drama, graduating in 2016. This is Emily’s professional debut.

Credits while training include: Flashes (Soho Theatre); Measure for Measure (North Wall Arts Centre); Time and the Conway’s (OSD) and Into the Woods (OSD)...
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Credits for the Everyman include: A Midsummer Night's Dream.

Theatre credits include: Oresteia and Measure For Measure (Shakespeare's Globe); Tis A Pity She's A Whore and The Knight Of The Burning Pestle (Sam Wanamaker Playhouse / The Globe); Marsden Menuscript (Marsden Jazz Festival); The Winters Tale (Regents Park Open Air Theatre) and Steptoe and Son (Kneehigh)...
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★★★★
“A deliciously horrid tale told with relish and affection.”
The Stage

★★★★★
“Enormous fun”
Eastmidlandstheatre.com

“A raucous audience-participation adventure”
The Guardian

“Mr and Mrs Twit are wonderfully revolting”
British Theatre Guide

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★★★★
“A loving, funny tribute to music hall” The Stage

★★★★★
“The feelgood show of the year – the audience loved it”
Merseysider Magazine

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Laura trained at LAMDA.

Theatre credits include: Our Country’s Good (Out of Joint), Don Juan Comes Back From The War (Finborough Theatre), Cheer Up, This is Only the Beginning (Liverpool Playhouse), Educating Rita (Menier Chocolate Factory and Trafalgar Studios)...
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