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Credits for the Everyman include: Macbeth.

Theatre credits include: Necessary Evil (Menagerie Theatre Cambridge) Krapp’s Last Tape / A Kind of Alaska (Bristol Old Vic); Once a Catholic (Tricycle); The Last Days of Troy (Royal Exchange); A Midsummer Night’s Dream, The Inn at Lydda (Shakespeare’s Globe)...
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Credits for the Everyman include: Twelfth Night, Elsie and Norm’s Macbeth, Unprotected and Comedians.

Theatre credits include: Held, Breezeblock Park, Billy Liar (Liverpool Playhouse); Chicago, Gypsy, And the Beat Goes On, Twopence to Cross the Mersey (Philharmonic Orchestra)...
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Theatre credits include: Oedipus, The Reporter, Entertaining Strangers, King Lear, Antony & Cleopatra, Light Shining In Buckinghamshire (National Theatre); Macbeth, Twelfth Night, Richard II, Edward II, Measure for Measure, In Extremis, Henry IV Part 1 & 2, Bedlam (Shakespeare's Globe); Hamlet, Romeo & Juliet, A Clockwork Orange (Royal Shakespeare Company)...
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Theatre credits include: The Queen and I (Arcola Theatre); The Way of the World, The Cherry Orchard, The Country Wife, The Birds, Macbeth (LAPA); Hey Diddle Diddle (The Panto Company); The Far Pavilions (The Shaftsbury Theatre); The Lion of Punjab (Watermans); Stones Soup (Konflux Theatre); Tempus (Tristan Bates Theatre); The Deranged Marriage (Rifco Arts) and Ladylogues (The Thelmas)...
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Credits for the Everyman include: Unsung and Much Ado About Nothing.

Theatre credits include: The Hobbit (Dukes Theatre, Lancaster); Cinderella (Riverfront Theatre, Newport); Brief Encounter, A Midsummer Night's Dream, Cinderella, Neville's Island, Dead Funny, Aladdin and One For the Road (Torch Theatre); Hamlet (Clwyd Theatre, Cymru)...
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Credits for the Playhouse include: Ma Rainey's Black Bottom.

Theatre credits include: Breakfast At Tiffany's (Old Vic); The Bakkhai (Almeida); Matilda (RSC); Play Mas (The Orange Tree); White Christmas (West Yorkshire Playhouse); Guys and Dolls (Chichester Festival); Smokey Joe's Cafe (Landor Theatre); A Christmas Carol (Birmingham Rep)...
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Theatre credits include: Romeo and Juliet, Anthony and Cleopatra, Much Ado About Nothing (Shakespeare’s Globe, LA Philharmonic and BBC Symphony Orchestras); The Winter’s Tale, Pericles, Romeo and Juliet, Julius Caesar and Doctor Scroggy’s War (Shakespeare’s Globe)...
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After finishing his GCSEs at Calday Grange Grammar School, Elliott worked as a freelance Speech and Drama teacher in the Wirral and Chester. He joined Young Everyman Playhouse as a YEP Actor in 2015.

Theatre credits include: The Wonderful World of Dissocia (YEP); Othello and The Musketeers (OTG) and The Tempest (NYT). Last year, he helped develop and perform in 17 as part of Liverpool’s International Physical Theatre Fest... Read more

Keddy was a member of EYT and trained at Rose Bruford College of Speech and Drama and with Ken Campbell's School of Night.

Credits for the Everyman include: Cruel Sea.

Theatre credits include: Scouse of The Rising Sun, Father ‘o Flaherty Save our Souls, Mam I'm 'Ere, Stags n Hens and Slappers n Slapheads (Liverpool’s Royal Court); Princess and the Pea (Unity Theatre/ATTC)...
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George graduated from RADA in July 2016.

Theatre credits while training include: Pains Of Youth, Chez Feydeau, No One Sees The Video, All’s Well That Ends Well, The Basset Table, Coriolanus, Electra, Philistines, The Accrington Pals...
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Emily trained at The Oxford School of Drama, graduating in 2016. This is Emily’s professional debut.

Credits while training include: Flashes (Soho Theatre); Measure for Measure (North Wall Arts Centre); Time and the Conway’s (OSD) and Into the Woods (OSD)...
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Credits for the Everyman include: A Midsummer Night's Dream.

Theatre credits include: Oresteia and Measure For Measure (Shakespeare's Globe); Tis A Pity She's A Whore and The Knight Of The Burning Pestle (Sam Wanamaker Playhouse / The Globe); Marsden Menuscript (Marsden Jazz Festival); The Winters Tale (Regents Park Open Air Theatre) and Steptoe and Son (Kneehigh)...
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★★★★
“A deliciously horrid tale told with relish and affection.”
The Stage

★★★★★
“Enormous fun”
Eastmidlandstheatre.com

“A raucous audience-participation adventure”
The Guardian

“Mr and Mrs Twit are wonderfully revolting”
British Theatre Guide

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