Recent credits: Hansel and Gretel by Simon Armitage and Edward II at Shakespeare’s Globe; Our Lady of Blundellsands, Sweeney Todd, The Conquest of the South Pole, Romeo & Juliet, A Clockwork Orange and The Big I Am – a reimagining of Peer Gynt, all at the Liverpool
Everyman; and Hushabye Mountain at the Hope Mill Theatre Theatre includes: The Odyssey: Missing Presumed Dead, A Midsummer Night’s Dream, The Electric Hills (Liverpool Everyman); I Am Not Myself These Days (Edinburgh & UK Tour); The Last Days of Troy, Britannia Waves the Rules (Royal Exchange, Manchester); Love Labour’s Lost, The Two Gentlemen of Verona, Henry VI parts 1, 2 and 3, The Death of King Arthur, Sir Gawain and the Green Knight (Shakespeare’s Globe); A Christmas Fair, A Midsummer Night’s Dream (Milton Rooms, Malton); Fragile (Belgrade Theatre); Betrayal (Crucible Theatre); A Separate Reality (Royal Court); By Jeeves (Landor); Billy Liar (West Yorkshire Playhouse); Guys and Dolls (Arts Theatre, Cambridge); Entertaining Mr Sloane (Trafalgar Studios); Burning Cars (Hampstead Theatre); Mongoose (Assembly Rooms, Edinburgh); Promises and Lies (Birmingham Rep); Bolthole, ‘Low Dat (The Door, Birmingham Rep); The Ruffian on The Stair (Old Red Lion).

As part of The Complete Walk, marking the 400th anniversary of Shakespeare’s death, Nick directed short films of Henry VI Part 2, Henry VI Part 3 and Titus Andronicus for Shakespeare’s Globe.

Nick trained at the Guildhall as an actor and has worked extensively in most major theatres in the country. He was formerly joint artistic
director of The Milton Rooms. Nick was the Associate Director of the Liverpool Everyman & Playhouse between 2014 and 2019.

Everyman & Playhouse New Works Associate, Tommo Fowler, will talk about how they take a new play from page to stage. They will explore the process behind developing a script from the seed of an original idea into a final draft that’s ready for production.